From as long as, literally as far back as I can remember I've liked puns, word jokes, I can literally recall looking at a comic at the age of six or seven and I remember what I enjoyed and what it was precisely and how the joke worked.

At a young age, I was interested in comic books, which was really how I learnt to read. The name Cage came from a comic book character called Power Man.

He's this amazing ambassador for all superheroes. What we've made as a film not only examines that but is also an amazing adventure story. It's been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.

I did not want to put myself on the line, as an Australian playing Britain's greatest comic actor. The fans of Sellers are obsessive, possessive - and aggressive. I did not want to risk their anger - or my own reputation.

Comic books aren't nerdy. You'd have to be an idiot to think computers are nerdy.

I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

I love the comic opportunities that come up in the context of a father-son relationship.

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Even in a gleefully negative comic, there is optimism, although it's slightly hidden: It comes out through a comic character's sheer tenacity. He keeps going and trying to find some sort of fulfillment regardless of his perpetual failure record. That's a form of hope, a form of optimism. Really hokey I know, but it's true.

I started writing when I was 9 years old. I was like this weird kid who would just stay in my room, typing little funny magazines and drawing comic strips.

I think the advent of the Internet gave us all a big boost, because by the time the Internet became mainstream and you could get it in your home, a lot of us were used to dealing in fan culture, writing to magazines or anything at the back of comic books.

I deeply adored my mum. She was an extraordinary person, even for the prejudice I'm likely to have. She was beautiful, amusing, a tremendous elaborator of things into comic proportions and extravagant in her imagination.

I did stand-up comedy for 18 years. Ten of those years were spent learning, four years were spent refining, and four years were spent in wild success. I was seeking comic originality, and fame fell on me as a byproduct. The course was more plodding than heroic.

I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play movies are very expensive to make. Chances are you'll get asked to play that part again.

I had a great time making the last movie, 'Eclipse.' We shot my back-story stuff from the 1930's. But I was waiting for 'Breaking Dawn' because I love the relationship Rosalie has with Jacob and the rest of her family and Bella. She also provides comic relief.

Comic timing... is how to have a relationship with the camera and deal with the camera without looking like you are.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.